The Futures Archive S2E6: The Bug Zapper

Note: This episode addresses topics particularly sensitive in gentle of this week’s college capturing in Texas. While Design Observer has never shied away from tough conversations, the editors acknowledge that this content may be difficult for some listeners. Content Warning: Violence, killing, and dying are discussed on this episode. It would be arduous to find someone who desires to share area with a mosquito killer. Hence, the creation of the bug zapper sale bug zapper light. But as designers, how will we address what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t all the time reflect humanity. With additional insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Paula Antonelli, and Lindsay Garcia. There may be a need for people to exert their authority, but there can also be a necessity for us to exert our love. The factor that I hope we hold area for is: This is all apply as a result of it’s not going to be resolved, and it shouldn’t be.



That might create some sort of stagnancy. Life is definitely about holding area for dynamism, adjustments and cycles. Lee Moreau is President of Other Tomorrows, a design and innovation consultancy based in Boston, and a Professor of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They are the founder of FLOX Studio, a community design and technique studio. David MacNeal is a writer and the writer of Bugged: The Insects Who Rule the World and the People Obsessive about Them. Dr. Juliano Morimoto is an entomologist and lecturer on the University of Aberdeen in Scotland. Spee Kosloff is an affiliate professor of psychology at California State University in Fresno and Zappify Bug Zapper co-creator of "Killing Begets Killing: Evidence From a bug zapper-Killing Paradigm That Initial Killing Fuels Subsequent Killing". Paola Antonelli is an creator, architect, and the Senior Curator within the Department of Architecture and Design on the Museum of Modern Art, in addition to MoMA’s founding director of Research and Development.



Lindsay Garcia is an artist, scholar, and an assistant dean at Brown University. Kathleen Fu created the illustrations for each episode. A giant because of this season’s sponsor, Automattic. Hi, everyone, that is Lee. Every week is slightly different on this show. And this week, whereas we’re nonetheless speaking about design, we’re going to be speaking about some fairly severe issues. And so I would like to verify that everybody who’s listening is aware of that is in a great place when they’re listening. And i encourage you to examine our present notes prior to listening to the episode so that you perceive the context of what we’re speaking about and put together ourselves a bit. Beyond that, I welcome you to the dialog and that i hope you find this conversation as powerful as it was for us. And that i thank you for listening. Welcome to The Futures Archive, a show about human centered design the place this season, we’ll take an object, look for the human at the center and keep asking questions.



… and I'm Sloan Leo. On every episode we’re going to start with an object with power. Today the thing is the Zappify Bug Zapper rechargeable bug zapper. We’ll look at the history of that object from our perspective, as designers who’ve carried out work in human centered design. Not simply the way it appears to be like and feels and sounds and smells, but in addition the connection between that object and the individuals it was designed for… … and with different people too. The Futures Archive is delivered to you by the design group at Automattic. Later on, we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s wonderful to see you again. Thanks for becoming a member of us. Lee, it's a thrill to be right here. So I’m questioning-for this specific episode, I’m wondering if you might inform me a bit bit about your history as a child with bugs and insects. Where you this sort of like, like child that like cherished the creepy crawly stuff?